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I know that D♭ - E♭ is a major second. What is the interval D♭ - D♯ called (and why)?

Dom
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  • He wrote "diminished third", not minor. What is wrong is the "/". Those are different kind of intervals. If you leave out any other parameter, like volume and 'timbre', on a piano or similar tuned instrument the resulting sound is indeed the same. But this is never the case. Even on a piano, with its equal tuning, interpreters and analyst react different to an Eb than to a D#. These two notes have two different functions and the interpreter knows the difference and plays them different, with whatever possibilities his/her instrument has. – nilshi Aug 08 '12 at 18:02
  • why is a diminished 3rd equal to an "absolute interval" of 2 halfsteps? Isn't a "regular 3rd" a major 3rd? And diminishing it makes it equivalent to a minor 3rd doesn't it??

  • On an equal tempered piano, I can see Eb and and D# from different key signatures sounding "different" due to the key signature's tonic. But they ARE the exact same sound, aren't they?

  • – Stephen Hazel Aug 08 '12 at 20:20
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    If you get a diminshed 3rd wrong and only count half steps you end up with the sound of a major second. @Stephen Hazel: That is what I meant with the "/" in the question is wrong because major second is not diminished third, even-though under special circumstances they sound the same.

    Also, to correct your comment, A dimished third is not the same as the minor one. It is one step further. C-E is major C-Eb is minor C-Ebb is diminished and may sound like C-D.

    Leave the tuning aside, this is only remotely connected to tuning. It is orthography.

    – nilshi Aug 09 '12 at 18:09