Single octave
Starting with the obvious ...
For a simple five-note traversal of either a major or minor pentatonic, the fingerings
- RH: 1-2-3-4-5
- LH: 5-4-3-2-1
are sufficient.
Multiple octaves, same fingering for every scale
For multiple octaves, I find it most comfortable to use fingers 1 and 2 for the "skips" in the scales. Using this approach, every major pentatonic can be played
- RH: 2-3-1-2-1
- LH: 1-3-2-1-2
Similarly, every minor pentatonic can be played
- RH: 1-2-3-1-2
- LH: 2-1-3-2-1
Multiple octaves, "best" (IMO) fingering for each scale
- RH: always a variant (rotation) of 1-2-3-1-3 or 1-2-3-1-2 (the final 3 or 2 is interchangeable according to personal preference).
- LH: always a variant (rotation) of 3-2-1-3-1 or 3-2-1-2-1 (the final 3 or 2 is interchangeable according to personal preference).
| scale |
RH |
LH |
| C |
2-3-1-2-1 |
1-3-2-1-3 |
| Cm |
1-3-1-2-3 |
1-3-2-1-3 |
| C# / Db |
2-3-1-2-1 |
3-2-1-2-1 |
| C#m / Dbm |
3-1-2-3-1 |
3-1-3-2-1 |
| D |
2-1-2-3-1 |
3-1-3-2-1 |
| Dm |
1-2-3-1-3 |
3-1-3-2-1 |
| D# / Eb |
3-1-2-3-1 |
3-2-1-3-1 |
| D#m / Ebm |
1-2-3-1-2 (or 1-2-3-1-2-3 continuously) |
1-3-2-1-3 (or 3-2-1-3-2-1-...) |
| E |
1-2-3-1-3 |
1-3-2-1-3 |
| Em |
1-2-3-1-3 |
3-1-3-2-1 |
| F |
2-3-1-2-1 |
1-3-2-1-3 |
| Fm |
1-2-3-1-2 |
1-3-2-1-3 |
| F# / Gb |
2-3-1-3-1 (or 1-2-3-1-2-3-...) |
3-2-1-3-1 (or 3-2-1-3-2-1-...) |
| F#m / Gbm |
3-1-2-3-1 |
3-1-3-2-1 |
| G |
2-3-1-2-1 |
3-2-1-2-1 |
| Gm |
1-3-1-2-3 |
1-3-2-1-2 or 1-3-1-3-2 |
| G# / Ab |
2-3-1-3-1 |
3-2-1-2-1 |
| G#m / Abm |
1-2-3-1-2 |
3-1-3-2-1 |
| A |
1-2-3-1-3 |
2-1-3-1-3 |
| Am |
1-2-3-1-3 |
3-1-3-2-1 |
| A# / Bb |
3-1-2-3-1 |
3-2-1-2-1 |
| A#m / Bbm |
1-3-1-2-3 |
3-1-3-2-1 |
| B |
1-2-3-1-3 |
1-3-2-1-3 |
| Bm |
1-3-1-2-3 |
3-1-3-2-1 |