I posted a similar question not too long ago and it was suggested that I look into tetrachords and I quickly understood why, but now I have questions about tetrachords.
For what reason are diatonic tetrachords in a whole step-whole step-half step pattern, and why are they considered major and minor tetrachords if they would be (C-D-E-F and C-D-Eb-F) in comparison to a major and minor trichord (C-E-G and C-Eb-G).
I haven't even tried to interpret the chromatic and enharmonic tetrachords yet but I am sure it'll be easier to understand their purpose after first understanding the diatonic.
How did the originators of tetrachords decide to start tuning these ways?